Alvar Aalto - Design New York Tuesday, December 17, 2013 | Phillips

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  • Literature

    Domus (Milan), no. 435, February 1966, fig. 22, no. 532, March 1974, n.p., no. 783, June 1996, fig. 9
    Thomas Kellein, ed. alvar & aino aalto. design collection bischofberger, exh. cat., Kunsthalle Bielefeld, Zurich, 2005, p. 186
    Charlotte and Peter Fiell, eds., 1000 Lights, Vol. 1: 1879 t 1959, Cologne, 2005, p. 498

  • Artist Biography

    Alvar Aalto

    Finnish • 1898 - 1976

    In contrast with the functionalism of the International Style (as well the neoclassicism put forward by the Nazi and Soviet regimes), Alvar Aalto brought a refreshing breath of humanism to modern design: "True architecture exists only where man stands in the center," he wrote. Aalto designed furniture in stack-laminated plywood composed of Finnish birch, which was cost-effective and lent warmth to his interiors. Aalto also revived Finnish glass design with his entries in the various Karhula-Iitala glassworks competitions throughout the 1930s.

    In 1936 he won first place for a collection of colorful, wavy vases in various sizes titled Eskimoerindens skinnbuxa (The Eskimo Woman’s Leather Breeches). The vases were an immediate success and the most popular size, now known as the "Savoy" vase, is still in production today. Aalto's freeform designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s; in particular, his innovations in bent plywood had a major impact on designers such as Charles and Ray Eames.

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318

"Angel's Wing" floor lamp, model no. A805, designed for the National Pensions Institute, Helsinki

circa 1953-1954
Painted metal, brass, tubular brass, leather-wrapped metal.
68 1/8 in. (173 cm) high
Manufactured by Valaistustyö Ky, Finland. Top of standard impressed with Valaistustyö A 805.

Estimate
$10,000 - 15,000 

Sold for $12,500

Contact Specialist
Meaghan Roddy
Head of Sale, New York
mroddy@phillips.com
+ 1 212 940 1266

Design

New York 17 December 2013 2pm